With the best fonts, your design can be a work of art. The best fonts leave you feeling like you’ve made an instant friend while the worst fonts are like a stranger who won’t leave you alone. In the case of Tremor, it was to re?ect a lively teenager.” The result is a cartoonish, slab-serif typeface with decidedly irregular angles and abrupt, straight-edged curves, and the feel of being in continuous motion.Fonts are one of the most important design choices to make when developing your brand identity. Designer Alan Dempsey says, “Most faces I design come from trace ‘work-outs’ for advertising products. Those of us who live in seismically lively regions can quickly recognize the appeal of ITC Tremor, which looks as if it’s bouncing off the shelf while you watch. The result is a design both graceful and “goth.” Symbols included in the font depict modern images in the same medieval style. ITC TembleĬreated by Andreu Balius of the Barcelona graphic design ?rm Typerware, ITC Temble combines some of the angular qualities of medieval metallurgy with a modern tempo. As an added bonus, Spooky includes illustrations worthy of its name, from black cat to spider to witch. Though characters are irregular and have uneven outer contours, the ?gures mysteriously line themselves up while conjuring thoughts of ghosts, bats, vampires and darkness. Spooky, an alphabet to frighten even the bravest, was created by British designer Timothy Donaldson.
The loose, unstructured letterforms produce a powerful visual effect wherever a bold, dashing headline is needed. Use this exciting brush script by Andrew Smith on its own, or with the simulated ink splats and smudges included with the font. Another versatile, cutting-edge typeface by the eclectic Jill Bell. Its raw energy grabs attention in both all-cap and mixed case settings. This typeface packs a powerful visual punch with its emotional, hand-written appearance. By day’s end, Marciuliano explains, what began with the letter ‘A’ developed into a typeface that he describes as “a little crazy.” ITC Schizoid looks spontaneous and neurotic, as if rendered by a jittery hand. ITC SchizoidĪ compulsive day of sketching by illustrator Frank Marciuliano led to this squiggly, nervous design. Its twisted, lowercase ‘g’ and an ‘e’ that could double as an upside-down ‘a’ both add to the design’s spooky personality. Drawn by Italian designer Giuseppe Errico, ITC Ludwig refuses to be con?ned to a traditional baseline. It’s nervous, tense – maybe even a little scary. “The name came to me as the letters appear to jig along – it just seemed to ?t.” ITC Ludwig This oddly-named typeface evolved from lettering for a project that needed to be “quirky, wacky, and fun,” says designer Carol Kemp, a lettering artist in Sussex, England. The capitals are ideal for initials the lowercase delivers maximum impact when set tightly. Curled ?ourishes wrap the fashionable uppercase like haughty feather boas. HollyweirdĪ bold display script with a funky, unkempt appearance, Hollyweird was designed by California lettering artist Jill Bell. The result is a collection of fantasy characters ready to haunt, hover and spook. Here he renders an eclectic group of gargoyles in “cartoony” ink.
This zany assortment of illustrations comes from the wildly creative imagination of designer and illustrator Steve Zafarana. A collection of alternate characters and ominous spot illustrations guarantee striking and effective graphics. Shocking splatters give this typeface by noted British designer Andrew Smith a dangerous look, but Chiller is surprisingly legible, even in small sizes. Here’s a guide to some blood-curdling fonts that just might scare the pants off your audience – and you! Chiller
They’re for whenever you want to communicate a ghoulish, creepy feeling – think of horror book covers, movie posters, rock group logos, T-shirts and web sites. Scary fonts are not just for Halloween, of course. It’s the perfect time of year to say “boo!” to scary fonts. Halloween is around the corner, and with it, an onslaught of spooky graphics on invitations, posters, ?yers, decorations, and greeting cards.